Rose Féart - Rose Féart

Rose Féart
Rose Féart.jpg
Rose Féart
Tug'ilgan26 mart 1878 yil
Sent-Rikyer, Frantsiya
O'ldi5 oktyabr 1954 yil(1954-10-05) (76 yosh)
Jeneva
Ta'lim
Kasb
  • Operativ qo'shiqchi (soprano)
  • Musiqa o'qituvchisi

Rozali Gautier (1878 yil 26 mart - 1954 yil 5 oktyabr), Rose Féart sahnada frantsuz-shveytsariyalik qo'shiqchi (soprano) va qo'shiq o'qituvchisi edi.

Biografiya

Rose Fréart yilda tug'ilgan Sent-Rikyer. Uning otasi shakar sanoatida ishlagan. Qizi tug'ilgandan ko'p o'tmay, u tug'ilgan shahriga qaytdi Argenton-sur-Kreuz Rose Féart butun bolaligini shu erda o'tkazgan. U musiqa bilan organist tomonidan tanishtirilgan Eglise Saint-Sauveur d'Argenton-sur-Creuse [fr ], Bolaning vokal sifatlarini aniqlagan Anselme Pikardo. Musiqiy o'qishni davom ettirish uchun Parijga yuborilgan va u g'olib chiqqan birinchi sovrin ning Musiqa konservatoriyasi lirik deklamatsiyada 1902 yil 2-avgustda, 24 yoshida.

Uning soprano ovozi Parijdagi Opéra kim darhol uni unashtirdi.[1] Rose Féart buyuk repertuar uchun eng muhim opera qo'shiqchilaridan biriga aylandi, ayniqsa Vagner rollarida va o'z davrining bastakorlari bilan ishladi. Massenet, Fauré, Debuss, Sezar Frank va André Caplet. Uning karerasi operalar va kontsertlarda tez rivojlandi va Frantsiya va Shveytsariyada hamda Evropaning boshqa yirik opera teatrlarida 20 yil davom etdi.

1954 yil 5 oktyabrda Jenevada 76 yoshida vafot etdi.

Rollar

  • 1902: Don Jovanni, Motsart (Donna Anna), Opéra de Parij
  • 1903: Les Guguenots, Meyerbeer (Valentin), Opéra de Parij; Tanxauzer, Vagner (Elisabet), Opéra de Parij; Le prophet, Meyerbeer (Berthe), Opéra de Parij
  • 1904: Il trovatore, Verdi (Leonora), Opéra de Parij
  • 1904/1905: Tristan und Isolde, Vagner (Brangen), Parij opera teatri sahnasini yaratish
  • 1905: Armide, Gluck (La Haine), Opéra de Parij; Ariane, Massenet (Phdre), Opéra de Parij
  • 1906: La Gloire de Corneille (kantata), Sent-San; Armide (La Xeyn), Messager dirijyor, da Kovent Garden; Lohengrin, Vagner (Ortrude), Opéra de Parij; Die Walküre, Vagner (Brünhilde), Opéra de Parij
  • 1908: Prométhée, Fauré (Bia), Fauré yo'nalishi, Parijda Parij hippodromida premera bo'lib, keyin Parijning Opéra shahrida; Aida, Verdi, Opéra de Parij; Qayta tiklash, Édouard Blanc (L'Ange), yo'nalish Messager, Parij konservatoriyasi
  • 1908/1909: Götterdämmerung, Vagner (Gutrune), Messager yo'nalishi, Parijning Opéra-dagi premyerasi; Lohengrin (Elza), Parijdagi Opéra
  • 1909 : Pelléas va Mélisande, Debyusi (Melisande), premyerasi Kovent Gardenda[2] septuor pour quatuor à cordes et trois voix féminines, André Caplet, premyera, Criquebeuf-en-Caux
  • 1910: La Damoiselle élue, Debussy, yo'nalish Messager
  • 1911: Rose Féart uni yaratish uchun Debussi tomonidan tanlangan Martyre de Saint Sebastien (La Vierge Erigone) da Théâtre du Châtelet ammo, so'nggi daqiqada u diniy tusli qarama-qarshiliklarni keltirib chiqaradigan ishlab chiqarishdan voz kechdi va uning o'rniga Debussi tomonidan ko'rilgan debyutant lirik soprano juftligi, Ninon Vallin premerada muvaffaqiyatli bo'lgan va shu bilan o'zining katta xalqaro faoliyatini boshlagan, bu Vallinning muvaffaqiyatiga guvoh bo'lganida Rose Féartning o'z rolini egallashiga olib kelgan; Lohengrin (Elza)
  • 1913: Der Freischutz, Karl Mariya fon Veber, dirijyor Feliks Vaynartner, Théâtre des Champs-Élysées; Boris Godunov, Mussorgskiy, dirijyor Inghelbrecht, Théâtre des Champs-Élysées; Poémes Indous pour soprano et dix asboblari, Moris Delage, premyera
  • 1914: Le Vieux Coffret, voix et fortepianoni quying, André Caplet, premyera, Yport
  • 1914/1918: Rose Féart urush paytida vatanparvarlik bayramlarini ko'paytirdi, shu jumladan Argent-sur-Kreuzda u oilasi bilan birga qoldi
  • 1916: Mélodie harpe quying, André Caplet, premyera, da Les Éparges
  • 1918: Détresse, ovoz va pianino uchun, André Caplet, premyera. Buning o'rnini almashtirish uchun Albert Paychere tomonidan chaqirilgan Alkeste tomonidan Gluck tomonidan Gen-teatrning katta teatri, u g'alaba qozondi va jamoat hayratini va mehrini qozondi. U Jenevaga ko'chib o'tdi va u erda Shveytsariya fuqarosi bo'lib, umrining oxirigacha qoldi.
  • 1919/1920: Pelléas va Mélisande (Mélisande) va Don Jovanni (Donna Anna) Jenevada
  • Armide, Lohengrin va Iphigénie en Tauride Jenevadagi uchlik Gluck tomonidan
  • 1921 yil: ariyalar bilan konsertlar Armide va a qo'shiq aylanishi tomonidan Moris Emmanuel shu jumladan Odelettes Anacréoniques, Parij konservatoriyasi
  • 1921/1922: o'tgan mavsum Buyuk Terat de Jenevda. Soprano o'sha paytda 44 yoshda edi.
  • 1922: Iphigénie en Tauride, Chorégies d'Orange
  • 1923: Le Martyre de Saint Sebastien, Buyuk Terat de Genev Armide, Chorégies d'Orange.

Keyin Rose Féart o'zini qo'shiq o'qituvchisi sifatida o'z martabasiga bag'ishladi Musiqa-Jenev Konservatoriyasi u erda 76 yoshida vafotigacha o'qitgan. Mezzo-soprano Xelen Morat uning shogirdlaridan biri edi[3] va Rose Féartning fakultet lavozimini muvaffaqiyatli egalladi Genève Haute École de musique 1960 yildan boshlab[4] 1984 yilgacha.[5]

Ikonografiya

Rose Féartning sahna libosidagi ko'plab fotosuratlari saqlanib qolgan.

Hurmat

Bibliografiya

  • Féart, Rose (1918). Mlle Rose Féart tomonidan qabul qilingan vokaux mashqlari: Jenevdagi konservatoriyadan foydalanish. Jeneva: Henn nashrlari. p. 8. OCLC  79253706.
  • Rose Féart, Kristof Delxum
  • Histoire du Grand Théâtre de Genève, Rojer de Kandol
  • "Rose Féart, une diva (37-44-betlar), yilda Kadrlar ayant marqué la ville d'Argenton-sur-Creuse va boshqalar, Jan Anatole, 171 bet, Le Trépan, Argenton-sur-Creuse, 2007
  • "Rose Féart" Argentonnais connus et méconnus, Serxel d'histua d'Argenton-sur-Kreuz, Argenton, 2010 yil
  • Entsiklopediya Larousse, maqola surasi Moris Delage
  • "Rose Féart", Per Brunaud [fr ], p. 52-55, yilda Argenton de A à Z en 44 rubrikalarning tarixiy asarlari, 175 bet, Imprimerie Bonnamour, Argenton-sur-Creuse, 2013 ISBN  978-2-9546955-0-1.

Adabiyotlar

  1. ^ Mlle Rose Féart, de l'Opéra, 1902 yil 21-avgustda darhol Argenton-sur-Kreuzda o'zining birinchi ommaviy konsertini berdi.
  2. ^ Tanqidchi Rozental shunday deb yozgan edi: soprano jozibali, nozik va mo'rt Melisand ediva Klod Debussi ketma-ket ikkita qarama-qarshi hukmni chiqardi (haqiqatan ham shunday) Dame Maggie Teyte ): Men ovozi va musiqiyligi menga yoqadigan Miss Féartni eshitdim. (Xga xat, 1908 yil 6-dekabr); u noshukur xunuk, she'riyatga ega emas va men shirin Teyte Missdan pushaymon bo'laman. Albatta, u bor narsani kuylaydi, ammo buning ortida hech narsa yo'q. Bizning oramizda, bu umidsizlik. (J. Dyurandga xat, 1909 yil 18-may).
  3. ^ "Morath Helene, mezzosoprano". Operissimo (nemis tilida). 2013 yil. (1937 yildan 1941 yilgacha u Aleksandr Mottu bilan fortepianoda o'ynashni o'rgangan Musiqa-Jenev Konservatoriyasi va 1938-1942 yillarda Rose Féart bilan qo'shiq kuylagan. 1960-1984 yillarda u Jeneva Konservatoriyasida o'qituvchi bo'lib ishlagan.)
  4. ^ "La distribution des prix du conservatoire". Journal de Genève [fr ]. korpus enseignant. 1960. p. 13. Arxivlangan asl nusxasi 2016-03-04 da. (Madam Hungerbühler-Morath, janob Molletga yordam berishda davom etar ekan, boshlang'ich va o'rta sinflarda o'qitishni ishonib topshirgan.)
  5. ^ "Erik Tappy nomli konservatoriya". Journal de Genève. ashula 1984. p. 19. Arxivlangan asl nusxasi 2016-03-05 da. (tenor.) Erik Tappi Shunday qilib, Helen Morath tomonidan bo'sh qolgan joy egallaydi.)

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