Mawer va Ingl - Mawer and Ingle

Mawer va Ingl asoslangan me'moriy haykaltaroshlar kompaniyasi edi Lids, G'arbiy Yorkshir, Angliya, 1860-1871 yillarda. Uning tarkibiga amakivachchalar kirgan Charlz Maver (1839 yilda tug'ilgan) va Uilyam Ingl (1828-1870) va Ketrin Maver (1804–1877) Charlzning onasi va Uilyamning xolasi bo'lgan. Guruh ko'pchilikka o'yma buyumlar yasagan Gotik tiklanish cherkovlar va ularning ichki jihozlari. Shuningdek, ular fuqarolik binolari, omborlar va ofislarda ishladilar. Ularning aksariyati hozirda ro'yxatga olingan Tarixiy Angliya va ko'plab omon qolgan binolar Yorkshirda joylashgan. Yorkshirdan tashqarida ularning ishlari Trent ko'prigi.

Haykaltaroshlik studiyasi

Mawer Stoneyardda o'yilgan Benjamin Payler tomonidan o'qish stoli (1889)

Bu Mawerning Stoneyard nomi bilan mashhur edi. Ba'zi bir tik turgan va kichikroq buyumlar toshxonada tugallanishi yoki yarim ishlov berilishi, keyin kerak bo'lganda saytga ko'chirilishi va bajarilishi mumkin edi. Nozik o'ymakorligi bo'lgan katta toshlarni tashish mumkin bo'lmaganligi sababli, tashqi me'morchilik haykali joylashgan joyda ishlangan. Masonlar toshni haykaltaroshlar uchun qo'zg'aluvchanlikni taxmin qilish orqali tayyorladilar. Devorlar qurilganidan so'ng, qo'pol toshlarni o'z ichiga olgan holda, tosh o'ymakorlar bu devorlarni narvon va iskala ustiga ko'tarib, haykallarni jamoat ko'z o'ngida yakunlashi kerak edi.^[1]

Lids masonlari Xyu Kollitt, Robert Maver va Jorj Xop o'rtasidagi hamkorlik 1842 yil 14-mayda tugatildi. Keyinchalik Maver rafiqasi Ketrin va jiyani Uilyam Ingle bilan voyaga etganidan keyin ishlagan. Robert Maver 1854 yilda vafot etganidan so'ng, Ketrin 1860 yilda Mawer & Ingle tashkil topguncha Tosh toshlarini boshqargan.^[2] Eng kamida 1854 yilgacha tosh va yog'och o'ymakorligi Lidsning 7-Oksford-Pleysida olib borilgan va 1854 yil 22-noyabrda Ketrin va Charlz Uilyam Inglning nazorati ostida u erda biznesni olib borishga va'da berishgan.^[3][4]

Bredford shahridagi sobiq Kirkgeyt bozoridan o'ymakorlik uchun tosh chiqib ketdi

Mawer & Ingle va Ketrin Maver va Sonning toshsozlik kompaniyalari 1846-1871 yillarda rivojlangan. Press bu davrda firmani "Mawer & Ingle" deb ataydi. Ketrin Maver ikkala biznesda ham sherik bo'lgan va ikkalasi ham Lidsning 50 Buyuk Jorj ko'chasida joylashgan.^[5] yodgorlik, tosh va yog'och o'ymakorligi bo'yicha ixtisoslashgan. Charlz Maver Ketrin Mower & Sonning sherigi bo'lgan va keyinchalik o'z nomi bilan ishlagan.^[6][7] Mawer & Ingle Lids Tradingmen xayrixohlik institutiga o'z hissasini qo'shdi,^[8] va 1863 yilda ular Lidsning Paxta tumanlariga yordam berish fondiga 3 9s funt sterling miqdorida 3tani topshirdilar.^[9] Tosh o'ymakorlari deb ta'riflangan Ketrin Maver, Uilyam Ingl va Charlz Maver o'rtasidagi Mawer, Mawer & Ingle sherikligi 1867 yil 11 yanvarga qadar bekor qilindi.^[10][11] Garchi Charlz o'zini aholini ro'yxatga olishda tosh o'ymakori deb ta'riflagan bo'lsa-da, Ketrin faqat savdo ma'lumotnomalarida biznes egasi sifatida tanilgan McCorquodale's va Oq.^[6][12][13]

Charlz Maver Uilyam Ingl vafot etgan 1870 yildan boshlab yolg'iz ishlagan,^[14] kamida 1880 yilgacha Killilngxolldagi Havoriy Tomas cherkovi qurib bitkazilgunga qadar.^[15] 1882 yilga kelib, unga Buyuk Jorj ko'chasida haykaltarosh Benjamin Payler qo'shildi va ular bir yoki ikki yil davomida Mawer & Payler sifatida savdo qilishdi.^[16][17] 1881 yil atrofida, Charlz ommaviy yozuvlardan yo'qoladi. Shundan so'ng, Payler o'z nomidan biznesni o'sha binoda davom ettirdi.^[18]

Mawer & Ingle asarlari

Barnsli qabristonining sobiq cherkovlari, lojalari va shlyuzi, 1860–1861

Ikki cherkov, 1914 yilgacha

Ikki avvalgi Gotik tiklanish Barnsley qabristonidagi Perkins & Backhouse, Barnsley qabristoni Road, Barnsley tomonidan ishlab chiqarilgan cherkovlar 1983 yilda buzib tashlangan. Ulardan qolganlari bu II sinf ro'yxati dastlab ikkalasini bog'laydigan arcade. Tarixiy Angliya Arkadni shunday ta'riflaydi:^[19]

"Kursli to'rtburchaklar tosh bilan ashlar bog'lab qo'yilgan. Markaziy tizzali kamarli shlyuz, tizzalari bilan tikilgan va uchi aylana bilan yasalgan. Dumaloq tepa. Tepalik uchi. Burchak tirgaklarini pinnaklar bilan kamaytirish. Ikkala tomonga past gotik arkadalar.^[19]

Ikkala cherkovdan tashqari, Kengash 1860 yilda lojali, o'lik cherkovi va kirish eshigini rejalashtirgan.^[20] Yotoqxona va o'likxona cherkovi omon qoldi, endi II daraja qabriston yo'lida ikkita turar joy va shlyuz sifatida qayd etilgan. Chap tomondagi lojada "kamar boshi va barglari to'xtagan qalpoqcha" bilan kirish joyi mavjud. O'ng tomondagi turar-joy binolarining bir juft oynasi xuddi shunday bezatilgan va plyonkali qolipli qavslarga ega.^[21] Ammo dastlab morg bo'lgan "turar joy" yana shunday deb tan olindi va 2011 yildan boshlab Barnsli qabristonining do'stlari uchun galereya bo'lib xizmat qildi.^[22]

Ikki cherkovning poydevor toshlari 1860 yil 29-may, seshanba kuni Dafn kengashi raisi tomonidan qo'yilgan. "Lids janob Maver, o'ymakor" hunarmandlar orasida har bir poydevor toshining ostiga idishlarga solingan hujjatlarda keltirilgan. Uchta dafna guruhlari, rasmiylar, ruhoniylar, yakshanba maktabining bolalari, me'morlar va pudratchilarni o'z ichiga olgan katta kortej bayramga bag'ishlangan maydondan qabristongacha yurishdi.^[23][24] Qabristonning Angliya cherkovi qismi 1861 yil 2 noyabrda muqaddas qilingan Ripon episkopi.^[25]

Bilan bog'liq ommaviy axborot vositalari Barsli qabristoni Vikimedia Commons-da

Omborlar, Bredford, 1862 yil

Peel Place-dagi omborlar Eli Milnes tomonidan ishlab chiqilgan

Bu to'plam edi omborlar Bredfordlik Eli Milnes tomonidan ishlab chiqilgan.^[26][27] Ular Peel Place va Lids Road-da edilar, Bredford, "David Abercrombie & Co. Messrs M'Kean, Tetley & Co.^[28] va boshqalar. "^[29][30] The Bredford kuzatuvchisi 1862 yilda aytilgan:^[29]

"Omborlar uyumi taxminan 1200 kvadrat metr maydonni egallagan bino maydonini egallaydi. Ular balandligi olti qavatli bo'lib, bino ichida qurilgan. Italiya Uyg'onish davri me'morchilik uslubi, podvallar Bramley Fall qumtoshi,^[31] va Park Spring ashlar asosiy fasadining qolgan qismi,^[32] tegishli o'ymakorlik bilan juda boyitilgan, asosan shaharning savdo va tijoratining ramziy ma'nosi ... Peel Place va Lids Road-ning old qismi 160 metrga yaqin ... Vikar-Leyndagi katta ombor, uning mulki va hozirda egallab turibdi. Messrs Shvann, Kell & Co.^[33] ... balandligi olti qavatli, chordoqchalardan tashqari, taxminan 210 fut uzunlikdagi oddiy italyancha me'morchilik uslubining ikkita jabhasi bor ... Foster binolari deb nomlanuvchi Uell-stritdagi katta uylar ... O'tgan yil davomida Well Street, Swaine Street, Hall Ings va Collier Gate tomonidan o'rab olingan barcha blokni to'ldiradigan uchta qo'shimcha omborni qurish bilan sezilarli darajada qo'shildi va yaxshilandi. Ular italiyalik me'morchilik uslubida jasur, mazmunli tarzda qurilgan va balandligi etti qavatdir ... Ushbu binolarning hammasidagi o'ymakorlik Xonimlar Maver va Ingl Lids tomonidan yaratilgan. me'mor va eng badiiy va maqbul tarzda ijro etilgan.^[29] (Bredford kuzatuvchisi 1862 yil 27 mart)

20-asrda omborlar buzilib, ularning o'rniga uylar qurildi.

Bilan bog'liq ommaviy axborot vositalari Bredforddagi omborlar Vikimedia Commons-da

Sent-Meri cherkovi, Low Dunsforth, Boroughbridge, 1861 yil

Sent-Meri Quyi Dunsfort

Bu II darajadagi bino,^[34] yilda Quyi Dunsfort. U Mallinson va Xeli tomonidan ishlab chiqarilgan Bredford va tomonidan muqaddas qilingan Ripon episkopi seshanba kuni 24 sentyabr 1861. 1861 yilda, Yorkshire gazetasi xabar berdi:^[35]

"Minbar - bu chiroyli mahorat buyumidir. U Kan toshidan yasalgan va marmar ustunlar bilan ishlangan alebastr asosiga asoslanadi. Olti burchakli, olti yuzida Avliyo Metyu, Sent-Mark, Muqaddas Luqo, Sent-Yuhanno, Piter va Avliyo Paul minbar stoli qo'llarini ushlagan va qanotlarini kengaytirgan farishta tomonidan qo'llab-quvvatlanadi, nefning janubiy burchagida joylashgan shrift ham Kaen toshi va juda chiroyli ko'rinishga ega, alebastr asosiga asoslanib, serpantinli marmar ustunlar bilan ishlangan va minbarga juda mos keladi.Reredos juda chiroyli o'yilgan va marmar ustunlar bilan ettita uyadan iborat bo'lib, u Kan toshidan. Hamma o'ymakor toshlar Livadan bo'lgan Maver va Ingl tomonidan ishlangan ... Kantselyariyaning derazalari janob Uaylz tashkil topgan vitrajlar bilan to'ldirilgan ... Cherkov Mallinson va Xili tomonidan ishlab chiqilganidan so'ng bunyod etilgan. Bredford, me'morlar. "^[35] (Yorkshire Gazette 1861 yil 28 sentyabr)

Ushbu bino avvalgisini almashtirgan Norman 1861 yilda yangi vestriyada parchalar qayta tiklangan cherkov.^[36] Maktab va usta uyi bir vaqtning o'zida qurilgan. Taqdirlash marosimida tashrif buyuruvchilar juda ko'p bo'lganligi sababli, xizmat paytida 200 kishi tashqarida kutish kerak edi, garchi Mallinson qabul qilindi.^[35] 2017 yilga kelib, shrift, reredos va minbar omon qoladi, garchi minbar tushirilgan bo'lsa ham.^[37][38]

Bilan bog'liq ommaviy axborot vositalari Sent-Meri cherkovi Quyi Dunsfort Vikimedia Commons-da

Sobiq Sent-Bartolomey, Arli, Lids, 1861 yil

Sent-Bartolomey (1861) chap tomonda

Sobiq Varfolomey cherkovi, Armley, 1630 yilda tashkil etilgan.^[39] Uni 1861 yilda amaldagi prezidentning o'g'li bo'lgan me'mor Tomas Armfild tiklagan va 1909 yilda buzib tashlangan. Hozirgi o'rnini egallagan hozirgi Varolomey cherkovi 1872-1877 yillarda qurilgan. 1870 va 1909 yillar orasida ikkala cherkov yonma-yon mavjud edi. Ammo hozirgi 1877 yildagi minbar 1861 yildagi Caen toshi bo'lishi mumkin.^[40]

The Lids Tayms va Bredford kuzatuvchisi 1861 yilda minbarni tasvirlab berdi:^[41][42]

"... Kaen toshidagi chiroyli sakkizburchak minbar, marmar ustunlar bilan bezatilgan Masih va Xushxabarchilarning rasmlari tushirilgan medallionlar bilan panjurlar, janob Armer, me'mor, o'g'il tomonidan bezatilgan. uning rahbarligida butun restavratsiya amalga oshirilgan amaldagi prezidentning. "^[41][42] (Lids Tayms 1861 yil 28-dekabr)

Reredos 1871 yilda Genri Uolker (1844–1922) va Jozef "Josh" Lidsning Atroni tomonidan ishlab chiqilgan yangi Varfolomey uyi uchun ishlab chiqilgan, ammo uning bajarilishida Maver ishlaganligi ma'lum emas.^[43][44][45]

Bilan bog'liq ommaviy axborot vositalari Sobiq St Bartholomews Chapel Armley Vikimedia Commons-da
Bilan bog'liq ommaviy axborot vositalari Bartholomey cherkovi, Armley Vikimedia Commons-da

Aziz Rikarius cherkovi, Aberford, 1862 yil

St Ricarius-da to'xtash joyi

O'rta asr cherkov binosi Aberford yaqin Lids, qisman qayta tiklandi va 1862 yil 29 aprelda qayta ochildi. Kengayish. tomonidan muqaddas qilingan York arxiyepiskopi. Kengaytma va ichki qayta tartiblashtirish tomonidan ishlab chiqilgan Entoni Salvin. Shimoliy va janubiy yo'laklar qayta tiklandi, shimol tomonida vestery, janubda ayvon bilan. Nef samarali ravishda almashtirildi Erta bezatilgan uslubi, asl 800 yillik minorani va sharqiy uchini 1830 yilda qurilgan holda qoldirgan. Yangi Forster va Endryus organ o'rnatildi. Janubiy verandadagi boshlar vakili Qirolicha Viktoriya va York arxiyepiskopi. Semyuel Xiks (1758-1829), qishloq temirchisi Miklfild, deraza oynasida tasvirlangan; u janubiy deraza ostiga ko'milgan. Oldingi cherkovdan 1853 shrift hozirgi cherkovga o'rnatildi.^[46] Devorlari Bramxem Mur deraza mollari va ichki ravoqlari va ustunlari "Sog'lom Bank" karerlaridan tosh ". Harewood ". Tomi Vestmorlend shifer.^[47] Bir nechta derazalar, shu jumladan Xiks temirchiga bag'ishlangan derazalar Wailes tomonidan, pollar esa Minton tomonidan ishlab chiqarilgan.^[48][49]

"Chiroyli tosh minbar ichkariga kirishi bilanoq ko'zni qamashtiradi. Dumaloq shakldagi tanasi Kan toshi, ning qisqa pilasterlari tomonidan qo'llab-quvvatlangan Korniş serpantinli marmar. Bu janob janob Fouler tomonidan yaratilgan ... Messrs Mawer & Inglening ishi ... Linkolnshir."^[46]

1862 yilda cherkov St Richardga bag'ishlangan deb taxmin qilingan g'arbiy saksonlar yilda Mil 720, va uning hayotini tasvirlaydigan kansler oynasi bunga dalil edi.^[50][51]
Bilan bog'liq ommaviy axborot vositalari Sankt-Rikarius cherkovi, Aberford Vikimedia Commons-da

Sobiq Sent-Metyus, Chapel Allerton, 1861-1863

Sobiq Sent-Metyus cherkovining ichki qismi, 1882-1884

Bu Eski Metyu cherkovi edi, Chapel Allerton, Lids, G'arbiy Yorkshir. U 18-asrning o'rtalarida qurilgan,^[52] va 1898-1900 oqim bilan almashtirildi Sent-Metyu cherkovi. 1900 yildan 1935 yilgacha ushbu sobiq bino yig'ilishlar uchun ishlatilgan, keyin xavfli bo'lib qolgan va 1935 yilda Eski Metyu uyi buzib tashlangan, poydevorlari 2017 yilgacha ko'rinib turgan.^[53] Eski cherkovning o'yma shrifti, o'qish stoli va minbarining hozirgi joyi noma'lum; ular yangi binoga o'tkazilmadi.^[54] Uning qabristonidan foydalanishda davom etishgan, ammo 1974 yilda yopilgan.^[55]

1861-1862 yillarda, Jorj Korson tez o'sib borayotgan aholini joylashtirish uchun Old Sankt-Metyusni kattalashtirib, transeptlar qo'shib, yo'lak va peshayvonlarni qo'shib, ichki tartibini o'zgartirdi. U 1862 yil 12-noyabr, chorshanba kuni qayta ochildi. Kengaytma ustidagi o'yma Mawer & Ingle tomonidan ishlangan. Ular kantselyariya va uning yangi kansel yo'lagi orasidagi ustunlarni "tabiiy yaproqlar" bilan o'yib ishlagan. 1862 yilda, Lids Intelligencer xabar berdi:^[56]

"Verandada kamar eshigi bor, ichkarisida ikki o'q bor murabbo, qalpoqchalar ulardan va kamarning qoliplari juda ko'p o'yilgan. Arkning yuqorisida Sent-Matto a-ga kiritilgan medalyon Va Gablega xushbo'y xoch kiydirilgan. Eski minbar olib tashlangan va uning o'rnini eng puxta va chiroyli tasvirlangan yangisi to'ldirgan. Buni janob Korson loyihasi asosida janob Maver va Ingl (Oksford-Pleys) o'yib ishlagan ... U olti burchakli va asosan qurilgan. Kan toshi; ammo bazada Irlandiya yashil rangining oltita o'qi bor marmar, tashqi tomondan oldinga siljiydigan va burchaklardagi barglar bilan boyitilgan minbarning pastki qismini qo'llab-quvvatlovchi nozik kalıplanmış poydevor va o'yma qopqoqlar bilan. Ushbu ustki qismida har bir burchakda irlandiyalik qizil marmarning lentali o'qi joylashgan bo'lib, ulardan biri Sent-Metyu farishtasi tasvirini qanotlarini ochib turuvchi qo'llab-quvvatlaydi. Ikkala tomonning o'qi chiroyli jilolangan guruch standartlarini qo'llab-quvvatlaydi. The avliyolar Mark, Luqo va Yuhanno ramzlari o'yilgan quatrefoils minbarning boshqa tomonlarida, vallar o'rtasida. Bosqichlar a parapet To'rtburchak shaklidagi doira bilan teshilgan Caen toshidan. Oddiy eman minbar bekor qilindi va Kan toshidagi burgut stoli o'rnini egalladi. Buning tagida yoki poydevorida tosh ustunning oldida joylashgan, irlandiyalik qizil marmarning ikkita o'qi bor, rejasi cho'zinchoq, o'yma qalpoqchalar, plyonkali poydevor va boshqalar bilan ishlangan va shisha bantlar bilan boyitilgan. Mozaik, tomonidan Vestminsterlik Stivens. Guruchning ftorli tayoqchalari burgutning orqa tomoniga, kitob dam olish joyidan o'rnatiladi. Burgut stoli me'morning saxovatli sovg'asidir ... Minbar va minbarda o'ymakorlikning chiroyli namunalari janob Maver va Ingl tomonidan bajarilgan. "^[56] (Lids Intelligencer 15 noyabr 1862 yil)

1863 yilda Lids Intelligencer dedi:^[57]

"Hozirgi hafta davomida juda chiroyli o'qish stoli ushbu cherkovda barpo etilgan. Esda tutamizki, cherkov qayta ochilganda, o'tgan yili kengaytirilgandan so'ng, Kin toshi va marmaridan minbar va minbar berildi, birinchisi jamoat xonimlari tomonidan, ikkinchisi esa me'mor janob Korson tomonidan, uning mohir nazorati ostida o'zgarishlar amalga oshirildi. Eski o'qish stoli .. minbar va minbarga mos yangisi bilan almashtirildi. U quyilgan qizil rangdagi ikkita pillastrni qo'llab-quvvatlaydigan kalıplanmış Caen tosh asosi va poydevoridan iborat Serpantinli marmar va bog'langan jilolangan Langedok marmar o'yma va yaproqsimon qopqoqli vallar, ulardan ikkita boy qistirilgan kamar va kitobning qolgan qismini qo'llab-quvvatlovchi kassetalar. Stolning bir uchida o'yma o'yilgan corbel boyitilgan qopqoq bilan silliqlangan marmar milni qo'llab-quvvatlaydi. Buning ustiga nur uchun jilolangan guruch standarti turadi. Kitob qoldig'i atrofida jasorat bilan o'yilgan chegara joylashgan do'lana barg. Bu o'ymakorlikni Lids janoblari Maver va Ingllar amalga oshirgan, ularning qo'llaridan ajoyib minbar va burgut ham chiqqan ... San'at durdonasi bo'lgan o'qish stoli janob Korson tomonidan ishlab chiqilgan. "^[57] (Lids Intelligencer 1863 yil 29-avgust)

Bilan bog'liq ommaviy axborot vositalari Old Metyu cherkovi, Chapel Allerton Vikimedia Commons-da

Xered cherkovidagi Reredos, Oliy Harrogat, 1861–1862

Xrist cherkovi Harrogeyt, 1914 yildan oldin

Christ Church, High Harrogate, Shimoliy Yorkshire, a II darajadagi bino tomonidan 1831 yilda ishlab chiqilgan Jon Oates (1759-1818) va Tomas Pickersgill (1807-1869) ning "Xaddersfild". 1861 yildan 1862 yilgacha Lokvud va Mawson Bredford va Lids tomonidan transeptlar, kantselyariya, organ cherkovi va vestri qo'shilgan.^[58] Kattalashtirish 1862 yil 29 iyunda yakunlandi Yorkshire gazetasi Quyidagi o'yma tosh elementlarni o'z ichiga olganligini xabar qildi:^[59]

"Bezorlangan va boyitilgan baland markaziy kamar va ikkita bo'ysunuvchi yon kamar cherkovning eski va yangi qismlari o'rtasidagi aloqani ochib beradi va markaziy kamar kantselyariyada takrorlanadi. Organ cherkovi ham transept va kemalar bilan ishlangan, mog'orlardan yaxshi yengillashtirilgan ... Sharqiy deraza ostidagi qurbongoh orqasidagi devorni chiroyli o'yilgan va boyitilgan reredolar ... Maver va Lids Ingl yaratgan reredolar bilan qoplagan. "^[59] (Yorkshire Gazette 1862 yil 5-iyul)

Arxitektura o'ymakorligida "guldastali poytaxtlar va gavhardagi o'ymakor boshlar bor". Mawer va Ingle reredoslari endi yo'q bo'lib ketdi; u 1937-1939 yillarda reredos tomonidan almashtirildi Komper.^[58][60]

Bilan bog'liq ommaviy axborot vositalari Xrist cherkovi, Harrogate Vikimedia Commons-da

Albert yodgorligi, Kvinsberi, 1863 yil

Milnning asl chizilgan rasmlari

Mawer & Ingle talqini

Bu II sinf ro'yxatiga kiritilgan yodgorlik ga Shahzoda Albert 1861 yilda vafot etgan.^[61] U asl atrofidagi devor ichida,^[62] Brighouse Road va High Street ko'chalarida, Kvinsberi, G'arbiy Yorkshir. U yasalgan Krosland Mur tosh, Bredford me'mori Eli Milnes (1830-1899) dizaynidan.^[63][64] 1863 yil 26-may, seshanba kuni uning ochilish marosimida "o'n ikki yoki o'n to'rt ming kishi ... minbar oldida bir joyga to'plangan" ishtirok etdi.^[65] "u yoki bu joyning butun aholisini qamrab olish".^[66] "Bayroqlar va bannerlar, ularning ba'zilarida minnatdorchilik va quvonchni ifodalovchi shiorlar bilan yo'l deyarli bo'g'ilib qoldi ... bu kun umumiy bayram sifatida nishonlandi." Yodgorlik tomonidan to'langan Jon Foster Black Dyke Mills to'qimachilik ishlab chiqaruvchisi va polkovnik tomonidan namoyish etilgan Edvard Akroyd bir xil savdo. Avvalgi Queenshead qishlog'i sanoat kengayishidan so'ng Kvinsberi tumani sifatida qayta tiklangan edi, shuning uchun yodgorlik ham yangi mahalliy o'ziga xoslik bayrami edi.^[65] Bundan tashqari, 10 000 mahalliy aholiga ilgari bo'lmagan suvning mo'l-ko'l zaxirasini taklif qilish kerak edi.^[67] Inauguratsiyadan so'ng, Fosterning 2000 ishchisi arra fabrikasida tushlik qilishdi. Bir chodirning yonida, Fosterning 300 nafar VIP do'sti alohida mehmondo'stlik bilan kutib olindi,^[65][68] ko'plab maktab o'quvchilariga o'zlarining maktab xonalarida choy berildi. Keyinchalik, mahalliy aholi qo'shni dalalarda tantanali marosimdan zavqlanishdi.^[67][69]

1863 yilda Qurilish yangiliklari va Lids Intelligencer yodgorlik bazasini shunday tasvirlab berdi:^[65][70]

"Yodgorlik arxitekturasi Gotik, XIII asrning tafsilotlarida begona, kontinental element aralashmasi bilan. U ko'tarilgan platformada, tutashgan yo'ldan to'rt qadam yuqoriroqda, ikki tomondan ochilib, orqa yarim burchakli burchak bilan past devor bilan o'ralgan va toza temir bilan o'ralgan. palitratsiya. Yodgorlikning umumiy balandligi platformadan yoki yer chizig'idan tepaga qirq metrga teng nihoyatda. Balandlikning dastlabki o'n to'rt futi uchun u to'rtburchaklar shaklida, diagonalga ega tayanch har bir burchak ostida. Sharq tomonida a favvora ichish, puxta shakllangan va sayqallangan qizil rang granit gips bilan tayanch, val va havza qurol-metall ikkinchisi ostidagi kapital, yaxshi kesilgan, o'yilgan va sayqallangan. Havzaning balandligidan yuqorida sharq va g'arbiy tomonlar joylashgan trefoil - tabiiy yaproqlar, qushlar va hokazo o'ymakorliklari bilan to'ldirilgan bosh panellar; panelning o'rtasidan sharq tomonda ichimlik favvorasi uchun suv chiqadi. Shimoliy va janubiy tomonlarda xuddi o'yma va yoritilgan qurolli metall plitalarni o'z ichiga olgan trefoil boshli panellar joylashgan bo'lib, shimolda yodgorlikning yorqin ob'ektiga ishora qilib, bu so'zlar bilan: "Albert xotirasi uchun, Buyuk Britaniyaning shahzodasi konsortsiumi. Qirolicha Viktoriya, 1861 yil 14-dekabrda vafot etgan. Ushbu yodgorlikni Jon Foster va Son o'rnatgan, Whitsuntide, 1863. "Yozuv ustida shahzodaning qo'llari asl ranglarida, a pastil shaklidagi qalqon, tepasida toji va shiori: "Treu und Fest". Janub tomonidagi plastinkada zirhli podshipniklar, gerb va shior: "Justum perficito nihil timeto", Jon Foster, Esq. Ushbu panellar ostiga [mahalliy aholini bepul suv bilan ta'minlash uchun] ikkita dekorativ suv o'tkazgichlari o'rnatilgan. Hammasi Bredford me'mori janob E. Milnesning dizaynidan va nazorati ostida amalga oshirilgan va xonim Maver va Ingl, Lids tomonidan ijro etilgan. "^[65][70] (Qurilish yangiliklari va Lids Intelligencer 1863 yil 29 va 30 may)

The Lids Merkuriy 1863 yilda yodgorlikning o'rta qismi tasvirlangan:^[67]

"Yodgorlikning har ikki tomonida yarim burchakli, tashqi tomoni silliqlangan serpantinli vallar bilan ishlangan, tosh boshliqlari o'yilgan va shpil ostidagi ochiq fonar balandligigacha tirnoqli soyabonlar ko'tarilgan. Arklar va spandrels boy o'yilgan va qoliplangan bo'lib, avvalgi har biridagi qoliplardan ikkitasi boyitilgan it tishi bezak va nishlarning boshlari taralgan. To'shakka o'ralgan to'rtta ayol figuralari, shu jumladan, San'at, Tasviriy San'at, Adabiyot va Qishloq xo'jaligini namoyish etadi, bu ularning hayoti davomida Illustrious shahzodani juda yaxshi rag'batlantirgan va qo'llab-quvvatlagan. Yuqorida yodgorlik sakkiz qirrali shaklga ega bo'lib, sakkiz metr balandlikda joylashgan; har bir burchakda mog'orlangan tosh iplar bo'lagi bilan bo'linib, o'yilgan bosh harflar bilan tugatilgan abrazinli qizil abberdin granit o'qi joylashgan. "^[67] (Lids Merkuriy 1863 yil 27-may)

The Illustrated London News shpilni yanada tavsiflaydi:^[71]

"Sakkizburchakning pastki qismi (haykallar ustida) qattiq, yon tomonlari esa bezi bezi vallar orasidagi; ichida ko'tarilgan bitta markaziy sakkiz qirrali toshdan tashqari yuqori qismi ochiq fonar shpilni qo'llab-quvvatlash uchun shunday shakllangan. The sofit fonarning taralgan. Granit vallari sakkiztasini qo'llab-quvvatlaydi trefoil kamarlari mo'l-ko'l shakllangan va o'yilgan holda tugaydigan soyabonlar finallar. Keyin shpil soyabonlar orasidan 17 metr balandlikka ko'tariladi, shu jumladan finali 2 fut. 7in. uzoq. Spire rejasi tekis burchakli sakkiz burchakli; pastki yarmi trefoil boshi bilan har bir yuzga o'ralgan; Taxminan o'rtada - bu kichkina trefoil cho'kmalar bilan shakllangan kamar. Diagonalning yuqori qismi tayanch tayanchlari har bir yuzida, kichkina trefoilni qo'llab-quvvatlaydigan, o'yilgan poytaxtlar bilan to'rtdan uchi vallarga ega Arja, yuqorida tepaliklar yodgorlik tanasiga o'tib, shakllangan, xurrak ziraklar, 7ft. 4in. uzun, terminallarni yarating. "^[71] (Illustrated London News 1863 yil 18-iyul)

The Bredford kuzatuvchisi "Mayder va Ingl Lids ... barchasini ijro etdi (Messrlar tashkil etilgan kranlar va o'yma plitalar bundan mustasno. Manchester shahri Isaak Stori va Son). Bosim klapanlari muvozanatda Foster xonim muhandisi janob Amos Xansonning ixtirosi. "^[72]

Bilan bog'liq ommaviy axborot vositalari Albert Memorial favvorasi, Kvinsberi Vikimedia Commons-da
Bilan bog'liq ommaviy axborot vositalari Eli Milnes Vikimedia Commons-da

Bramli, 1861-1863 yillarda Sankt-Peter cherkovi

Sent-Piter, Bramli, 1914 yilgacha

Sankt-Peter cherkovi, Xoud Leyn, Bramli, Lids,^[73] a II darajadagi bino.^[74] Oldingi St Margaret cherkovi 1861 yil atrofida buzib tashlangan va Perkins & Backhouse tomonidan Sit Peter sifatida qayta qurilgan.^[74][75] Piterning poydevori 1861 yilda qo'yilgan bo'lib, 1863 yil 9-iyul payshanba kuni muqaddas qilingan. Yigirmanchi asrda nef va kantselyariya keng ko'lamda qayta tiklandi va ichki qismi butunlay o'zgartirildi. Faqat minora 1861 yildagi kabi; uning burchaklarida gargoyl va pinnaklar mavjud. Sharqiy va g'arbiy tomonlari o'qlar va o'yilgan poytaxtlar bilan ishlangan bo'lib, ular minoraning eshigi ustida joylashgan.^[74][76] Cherkov hovlisida Sankt-Margaretning qoqilgan qoldiqlari.^[77][78]

1863 yilda Sankt-Petrning nef, g'arbiy eshigi va ayvonida poytaxtlar o'yilgan edi va transeptsiyalarda poytaxtlar va murdalar o'yilgan edi. Sharqiy derazada "juda yaxshi zarb qilingan tosh" ning bosh harflari o'yilgan edi. Naf tomining ochiq yog'ochlari o'yilgan qavslar bilan ta'minlangan. U erda "chiroyli Kan tosh minbori" bor edi. Taqdirlash marosimida Lids Intelligencer xabar berdi:^[76]

"Minbar olti burchakli bo'lib, uning beshta yon tomonida kamar bilan ishlangan va burchak ostida marmar vallar joylashgan bo'lib, ularning har bir joyida Najotkorimiz va to'rtta Evangelistning haykaltarosh qiyofasi joylashgan. Minbar poydevori alebastr. Yostiqning odatiy qo'shimchasi va'zgo'yning roziligi bilan ko'tarilishi yoki tushirilishi mumkin bo'lgan juda pokiza jez kitobining o'rnini bosadi ... Shrift Kena toshidan klasterli marmar vallar va yo'rgak kosasi bilan; ikki pog'onada turib, cherkovdagi ko'zga ko'ringan narsa ... Butun davrda eng zo'r ishlangan tosh o'ymakorligi Buyuk Jorj ko'chasi, Lids shahridagi janob Mawer & Ingle tomonidan amalga oshirilgan bo'lib, cherkov ornamentlarida ajoyib jasorat va mahoratga ega bo'lib, katta kreditlarni aks ettiradi. loyihalari asosida ish olib borilgan me'morlar. "^[76] (Lids Intelligencer 11-iyul 1863 yil)

Bilan bog'liq ommaviy axborot vositalari Sankt-Peter cherkovi, Bramli Vikimedia Commons-da

Hepper & Sons kim oshdi savdosi savdo xonalari va ofislari, East Parade, Lids 1863

Kapital, Gepper uyida

Gepper uyi Moviy plaket

Bu II darajadagi bino,^[79] 17a Sharqiy paradda, Lids. U tomonidan ishlab chiqilgan Jorj Korson, va 1863 yil dekabrda qurib bitkazilgan. Hozirda u ilgari yashagan Hepper uyi deb nomlangan Bonxemlar; 2016 yil holatiga ko'ra Iberica restorani. 1863 yilda Lids Tayms dedi:^[80]

"Bir tomonda vertikal, ikki kamarli, katta kamarga o'ralgan yaltiratilgan qizil granit vallar bilan qo'llab-quvvatlangan. Tuproq chizig'ida ikkita er-xotin deraza bor, ular podvaldagi ovqat xonalariga yorug'lik beradi, yuqorida esa ikkita derazalar joylashgan kamarlari shaklidagi bir oz taqa bilan qoplangan va jilolangan qizil granit vallari bilan qo'llab-quvvatlangan, kamarning atrofida yumaloq o'yilgan qalpoqcha, birinchi derazalar va yuqorisidagi oynalar o'rtasida o'yilgan dado, panellarda, ularning ustiga tirgaklar derazalarni ajratib turadi, ular xonani va zinapoyani yoritadi. Tirnoqlarning burchaklarida ikki balandlikda, qizil tosh tasmaga bo'lingan va o'ymakor qalpoqchalar bilan ilonli marmar miller, ustunlar o'yilgan. ayblovlar. Derazalarning uchlari uchli bo'lib, o'yma pervazlar bilan ishlangan. Derazalar ustida o'yilgan qalpoqli mog'or ... Hammasi old tomoni Lids mahallasidan oq toshdan iborat. Ripondan qizil toshdan, lentalarda va vussoirs ... Arxitektor janubiy paradda yashovchi janob Jorj Korson bo'lib, an'anaviy ravishda ishlangan o'ymakorlikni Lids xonimlari Maver va Ingl etkazib berishgan. "^[80] (Lids Tayms 1853 yil 5-dekabr)

Bilan bog'liq ommaviy axborot vositalari Gepper uyi, Sharqiy parad, Lids Vikimedia Commons-da

Omborlar, 30 Park joyi, Lids, 1865 yil

30 Park joyi, 1865 yil

30 Park Place-dagi ushbu bino, Lids, emas sanab o'tilgan. U tomonidan ishlab chiqilgan Tomas Ambler Park Row, Lids NP va H Natan uchun ombor sifatida va 1865 yilda qurib bitkazilgan. Maver va Ingl granit va o'ymakorlikni etkazib berdilar.^[81] 2017 yilga kelib bu The Chambers deb nomlangan mehmonxona. Unda barglar orasida hayvonlar yashiringan, o'yilgan barglarning paneli va poytaxtlari bor. The Qurilish yangiliklari 1865 yilda aytilgan:

"Fasad birinchi qavatdagi ipgacha tosh bilan qurilgan, derazalari va eshiklariga sayqallangan granit vallar o'rnatilgan; old qismi qoldiqlari g'isht bilan ishlangan va tekislik xarakteridagi toshdan yasalgan pardozlar bilan bosilgan."^[81]

Bilan bog'liq ommaviy axborot vositalari 30 Park joyi, Lids Vikimedia Commons-da

Endliklif Xoll, Sheffild, 1863–1865

Endcliffe Hall, taxminan 1865 yil

Endkliff zali yilda Endlliff, Sheffild, a II daraja * ro'yxatdagi bino, Sir ishlab chiqaruvchisi uchun qurilgan Jon Braun.^[82][83] U tomonidan ishlab chiqilgan Flockton va Abbott,^[84] poydevor toshi 1863 yil 9-noyabr, dushanba kuni qo'yilgan,^[85] va 1865 yilda qurib bitkazilgan.^[84] 2017 yildan boshlab bino zaxira kuchlari va Kadetlar uyushmasi tomonidan Yorkshire va The Humber uchun konferentsiya o'tkaziladigan joy sifatida boshqarilgan.^[86] Unda Edvard Uilyam Vyonning (1811-1885) to'rt faslli haykallari va oldingi pog'onada bir qator Mehnat va San'at arboblari bor. Jon Vudi Papvort.^[84] Baca qismlari Hadfildga tegishli.^[87] Boshqa barcha me'moriy tosh o'ymakorliklari Maver va Ingl tomonidan yaratilgan. 1865 yilda Sheffield Independent dedi:^[84]

"Umumiy arxitektura uslubi italyancha, ayniqsa, naqshinkor bezaklarga moyil. ... qo'nish zinapoyasini qo'llab-quvvatlovchi ustunlar [katta zinapoyadan yuqorisida] ajoyib tarzda o'yilgan ... Qasrning tashqi ko'rinishini olib ... me'mor haykaltaroshni o'z ishini tugatish uchun yordamga chaqirdi ... Tosh o'ymakorligi janob Maver va Lids Ingli tomonidan bajarilgan. "^[84] (Sheffield Independent 26 may 1865 yil)

Xuddi shu yili Sheffield Daily Telegraph dedi:^[87]

"Ba'zi bir ajoyib haykallar bino va teraslarning old qismini bezatadi. Kalıplar, o'ymakorliklar, korkuluklar va hokazolarning barchasi juda zo'r ishlangan va me'moriy xususiyatlarga aniq, oqilona va munosib yordam beradi ... Tosh o'ymakorligi janob Maver va Lids Ingli tomonidan ijro etilgan. "^[87][88] (Sheffield Daily Telegraph 1865 yil 24-may)

Bilan bog'liq ommaviy axborot vositalari Endkliff zali Vikimedia Commons-da

Sobiq Yuhanno Xabarchisi, Uortli, Lids, 1864–1865

Sobiq Sent-Jon, chap tomonda, taxminan 1899 yil

Avliyo Yuhanno sobiq cherkovi Dikson Leyn yo'lida turgan, Uortli, Lids. Uning o'rnini 1898 yilda hanuzgacha ishlatib kelinayotgan yangi St Jon egallagan,^[89] va ikkalasi bir muncha vaqt yonma-yon mavjud edi.^[90][91] Avvalgi bino tomonidan loyihalashtirilgan Dobson & Chorley va 1853 yilda yakunlangan; Robert Mawer asl binoda umumiy o'ymakorlikni amalga oshirdi va Mawer va Ingle 1864-1865 yillarda uning Caen toshli toshlarini etkazib berdilar.

The Lids Intelligencer sobiq bino haqida shunday degan edi: "1864 yilgi xotirlash marosimlaridan buyon cherkov Kain toshiga chiroyli reredoslar o'rnatish orqali boyitilgan, jamoat evaziga sotib olingan va janob Maver va Ingl tomonidan boshqarilgan. Dobson va Chorli janoblari, me'morlar ".^[92]

Bilan bog'liq ommaviy axborot vositalari Vortli shahridagi Aziz Yuhanno cherkovi Vikimedia Commons-da

Sobiq Muqaddas Uch Birlik, Louth, 1866 yil

Mozor ramzini eslatuvchi minora eshigidagi g'ayrioddiy o'yma

Istgeytdagi sobiq Muqaddas Uch Birlikning cherkovi, Louth, Linkolnshir, C. Rojers va Louthdan Marsden tomonidan ishlab chiqilgan,^[93] Louth Market Hall-ni ham ishlab chiqqan.^[94] Cherkov 1866 yil 5-aprelda muqaddas qilingan, garchi u "bir necha yil oldin" qurib bitkazilgan bo'lsa ham. Nef 1991 yilda yonib ketdi,^[95][96][97] ammo minora qoladi.^[98] Nef 1997-1998 yillarda Trinity Center tomonidan almashtirildi.^[99]

1866 yilda Stemford Merkuriy o'yilgan tosh elementlarini quyidagicha ta'riflagan:^[93]

Ikkita kantselyar kamari ikkita tartibda bo'lib, "ichki tartib n corbellardan qo'llab-quvvatlanadi, ulardan o'ymakorligi juda chiroyli ... Liderlik Mawer & Ingle tomonidan ishlangan o'yma tabiiy va an'anaviy yaproqlar aralashmasidir". Nef kamarlarida "o'yilgan poytaxtlar bor edi, barglar har bir holatda to'rtburchak teshiklaridan chiqib, poytaxtning qo'ng'irog'ini har tomondan quchoqlagan edi ... Yorkshir toshining to'rtburchagi poydevori, it tishi bilan ishlagan minbar yuqori barglar, an'anaviy yaproqlarda o'yilgan kvadrat kapitalni qo'llab-quvvatlaydigan qizil Mansfield toshining dumaloq o'qi; to'rtburchaklar va kavislarga kiritilgan it tishining izlari, to'rtburchaklar tomonlari va biroz egri jabhalari bo'lgan Caen toshining yuqori qismi. va shakllangan korniş bilan tugatdi. "^[93] (Stemford Merkuriy 1866 yil 13-aprel)

Xuddi shu yili Linkolnshir xronikasi va Louth va Shimoliy Linkolnshir reklama beruvchisi dedi:^[100]

Yangi binoning yalang'ochligi "o'ymakorlikni mashhurlik va jasur yengillikka tashlashga intiladi va bunga loyiqdir, chunki kamdan-kam hollarda zarif naqshlar o'ymakorning qo'li bilan mohirlik bilan kesilgan". Kantselyar kamar "chiroyli o'yilgan poytaxtlarga, to'plangan vallardan chiqib, pog'onali poydevorlar bilan yotar edi. Har ikki tomonning paxta to'xtash joylari an'anaviy yaproqlar bilan juda yaxshi ishlangan". Sharqiy derazada "shakllangan ichki kamar va bir tomonida tok, ikkinchisida bug'doyni ifodalovchi boshliqlari tasvirlangan qalpoq qolipi bor edi. Bu o'ymakorlikni Mawer & Tugle xonim ijro etgan holda alohida ta'kidlash lozim.sic) Lids ... Oymakorligi me'morlar tomonidan eskizlar asosida joylashtirilgan an'anaviy va tabiiy turlarning aralashmasi. Bizning o'quvchilarimiz nefning janubiy tomonida osongina tan olishadi, karapuz, gul, nilufar, fern, kolumbina va primula; shimoliy tomonda, chinor, eman, bog'ich, olma, polipodiya va fern. Kabutar va boshqa qushlar ham tanishtiriladi. "^[100][101] (Linkolnshir xronikasi 14 April 1866, and Louth va Shimoliy Linkolnshir reklama beruvchisi 7 April 1866)

Bilan bog'liq ommaviy axborot vositalari Holy Trinity Church, Louth at Wikimedia Commons (No modern image of Holy Trinity on Commons)

Memorial tablet at Holy Trinity, Low Moor, Bradford, 1866

Portrait of Fawcett by Mawer & Ingle

Holy Trinity Church, the parish church of Low Moor, Bredford, a II darajadagi bino, founded in 1606 as Wibsey Chapel. The building was rebuilt and enlarged in 1836 by architects R.S. and S. Sharpe, then in 1883 the chancel was remodelled and the furnishings re-ordered.^[102]

Reverend Joshua Fawcett, M.A. was the son of Richard Fawcett, who had been the "head of the worsted trade" in Bradford. U ishtirok etdi Klafem Grammatika maktabi va Trinity kolleji, Kembrij, and became Wibsey Chapel's incumbent in 1833.^[103] He was given the post-mortem title of Faxriy Canon ning Ripon sobori 1864 yilda.^[104] After his sudden death in 1864 of apopleksiya,^[105][106] "A subscription was opened for the purpose of erecting a monument to perpetuate his memory ... a tablet of Derbishir alebastr, highly enriched with inlaid marble, &c., having been placed on the north side of Holy Trinity Church. The design is by Messrs. Mallinson & Healey, of Bradford, whose services were offered gratuitously; and the work has been elaborately executed by Messrs. Mawer & Ingle, of Leeds." His parishioners had subscribed to this "to record his unwearied zeal and affectionate pastoral care during the 32 years of his ministry."^[107]

The Bredford kuzatuvchisi va Yorkshire Post said that he "would long be remembered with deep respect by thousands." It described the monument as a "large massive marble tablet ... the design ... is an admirable one."^{[108][109][110]}

At his funeral, Fawcett was mourned by a "vast concourse of persons," and many clergy and VIPs joined the procession which followed the funeral cortege. At the service, the church was "densely crowded." He was buried in a "massive oak coffin" in a vault at the east end of Holy Trinity's churchyard.^[103]

Bilan bog'liq ommaviy axborot vositalari Holy Trinity Low Moor, Joshua Fawcett memorial Vikimedia Commons-da

Wool Exchange, Bradford, 1864-1867

Wool Exchange in 1867

The Wool Exchange, Bradford, is a I sinf bino sanab o'tilgan.^[111] U ishlab chiqilgan Venetsiyalik gotika uslubi bo'yicha Genri Frensis Lokvud va Uilyam Mavson, and the foundation stone was laid on Tuesday 9 August 1864 by Lord Palmerston.^[112] It was formally opened on Wednesday 13 March 1867.^[113] It was described with tongue in cheek by the Manchester Times in 1867 as "a large ecclesiastical looking edifice in the Gothic style, with an episcopal statue on one side of the entrance, a crowned figure on the other." Originally there was carving in the tops of the arches on the Market Street side: "The front of the building in Market Street is divided into shops, with each occupying one of the large arches ... the windows occupy two compartments and the door the third, the top being filled with carved work."^[114] This original carved work is now replaced with glass.^[115] The Lids Merkuriy va Illustrated London News said that "The centre compartment of the main hall is supported by eighteen large polished shafts of red granite, two feet in diameter, with beautifully carved capitals."^[113][116]

On 29 September 1866, the Lids Tayms observed: "On the walls above, the sculptors are busily employed in finishing their carved ornamentation and giving all a kind of mediaeval aspect, as unlike as possible - a few churches excepted - most of the architecture in the town ... Several workmen are engaged upon the spire."^[1] There was a topping out ceremony for the artisans: "On Monday [26 November 1866] a flag waved triumphantly from the highest point of our New Exchange, namely, the top of the tapering spire and tower ... The men engaged upon it we understand were treated to a glass or two of champagne at the top."^[117] James Tolmie (1826–1866)^[118] executed the figures of Bishop Blaise patron saint of woolcombers, and Eduard III who granted Bradford's trading charter,^[119] at the entrance beneath the tower, but died suddenly, leaving them unfinished, and no evidence has been found that he did further work on the building.^[120] Mawer & Ingle carried out the remaining carving on the Exchange.^[121][122] Ga ko'ra Bredford kuzatuvchisi on 17 January 1867, they were still carving the medallions which were:^[123]

"now being sculptured along the front of the Exchange ... That the Exchange is an object of interest to our townsmen is proved by the numbers who almost any day may be seen watching the skilled craftsmen who are engaged in the carvings ... These enrichments are indeed as beautiful as they are appropriate ... Next to the tower in the place of honour on the Market Street front, the head of Cobden is appropriately placed. It is a tolerably good portrait and well executed, but rather too full in the face; and next to that is a finely-chiselled head of Sir Titus Salt, Esq. These are all that are finished on this front, but heads of Stephenson and Watt are partly completed and there are to follow in order Arkwright, Jacquard, Gladstone and Palmerston. Along the Bank Street front the heads already finished are those of Sir Walter Raleigh, Drake and Columbus; and those are to be supplemented by Captain Cook and Commodore Anson ... [The two statues by Tolmie were not yet in place.] The other carvings on the pillars at the entrance under the tower are very beautiful; and the carvings along the string courses a great relief to the solid massiveness of the building."^[123] (Bredford kuzatuvchisi 17 January 1867)

According to Historic England, the medallions facing Market Street show Richard Kobden, Titus tuzi, Jorj Stivenson, Jeyms Vatt, Richard Arkwright, Jozef Mari Jakard, Uilyam Gladstoun and Lord Palmerston (although the Lids Tayms said in 1867 that it was "Mr. Bright, MP, a well-executed likeness").^[124] Those facing Bank Street show Uolter Rali, Frensis Dreyk, Xristofor Kolumb, Jeyms Kuk va Jorj Anson.^[111]

Bilan bog'liq ommaviy axborot vositalari Jun almashinuvi, Bredford Vikimedia Commons-da

Statues of Sweep and Shoeblack, originally in Peel Park, Bradford, 1867

Peel Park, Bradford, in 1905

The present whereabouts of the Sweep and Shoeblack statues is unknown. Peel Park, Bredford, and its remaining three statues of Peel, Spring and Autumn are II daraja * berilgan.^[125] Although the park was opened in 1846,^[126] it had "next to no specimens of British statuary" until in 1867 Henry Pullan of the Music Hall, Westgate, Bradford, donated two small, painted stone statues. They were placed nearly opposite each other on the grand terrace in the park. Xuddi shu yili Lids Tayms ularni quyidagicha ta'rifladi:^[121]

"The statue of the "supurish," ... with the first square of the pedestal, was chiselled from a mass of solid building stone, at the works of Messrs. Mawer and Ingle, sculptors, Leeds, whose artistic excellence have been proved in the carvings adorning our new Exchange. The sweep, in his sooty costume, the red lips contrasting finely with the black, is comparatively small in bulk, and some might think that it is rough and unfinished, but the whole is full of expression, and we seem almost to hear the "darkey," with brush in hand, crying out, "Sweep." The companion statue to this, that of a shoeblack, with box and brushes slung over one shoulder, while he points to your boots with the dexter-finger of the right hand, has been well-executed by the same sculptors."^[121] (Lids Tayms 8 May 1867)

These are no longer in the same park, but there was once a pair of statues of the same description on the eastern terrace of Peel Park, Salford.^[126][127] Some major sculptures which had been removed from Peel Park, Salford, to storage in 1954, were sold in 1969 to Gavsvortning eski zali;^[128] and the sweep and bootblack sculptures disappeared at the same time. However they were not purchased by Gawsworth Old Hall.^[129]

Bilan bog'liq ommaviy axborot vositalari Peel Park, Bredford Vikimedia Commons-da
Bilan bog'liq ommaviy axborot vositalari Peel Park, Salford Vikimedia Commons-da

Former Church of St Peter, Dewsbury Road, Hunslet Moor, 1866-1868

St Peters parish magazine, 1946

St Peter's, Dewsbury Road, Hunslet Moor tomonidan tashkil etilgan Leeds Church Extension Society, and designed by William Perkin (d.1874) & Son of Leeds. The foundation stone was laid on Thursday 10 May 1866,^[130] and the church was consecrated on 2 July 1868. It was built of brick and stone, with white sandstone dressings, and had a 128 ft (38m) spire. It was demolished in the 20th century and replaced by flats in St Peter's Court.^[131]

"There is a pleasing porch, having a central circular shaft of Rotherham stone, with a moulded vase and carved capital, the entrance being flanked with similar columns, and the angle being flanked with a carved stone cross ... Inside, the aisles are divided from the nave by two fine arcades of arches, which spring from massive columns having central dog-tooth bands, moulded bases and carved capitals. An ornament is introduced into the kamonchilar va asosiy toshlar which has a very novel and pleasing effect. It consists of an incised scroll filled in with black cement, and the effect is still further increased by a band of black bricks, which runs round each arch, the latter being constructed of vussoirs of red and white bricks alternately ... The windows are divided with circular shafts which spring from carved boshliqlar ... Messrs Ingle and Mawer, stone carvers."^[132]

Bilan bog'liq ommaviy axborot vositalari St Peter's church, Hunslet Moor Vikimedia Commons-da

Commercial Bank, Bradford, 1867-1868

Imaginary sea wolf as gargoyle

Bu II daraja * ro'yxatdagi bino, at 7 Hustlergate, Bredford, G'arbiy Yorkshir.^[133] U ishlab chiqilgan Frantsuz gotikasi style by architects Thomas Garlick Andrews (c.1837–1886) and Joseph Pepper of Bradford,^[134] for the Commercial Bank, and opened for business on 4 March 1868.^[135][136] The exterior is richly carved on a maritime theme, with waves in place of leaves on poytaxtlar and strings, and sea monsters as label stops. Hozir uni egallagan Milliy Vestminster banki, but still has the emblem of the Commercial Bank over the door. In 1868, local newspapers reported:^[135]

"The arms of the borough, encircled by a ribbon bearing the name, "Bradford Commercial Bank," are richly carved in the arms above [the door] ... [It has windows] surmounted by gablets, having carved crockets and finials ... a richly carved cornice [and] carved capitals. At the level of the springing of the arches on each floor are carved bands, and the label moulds are terminated by grotesque animals of spirited design. Throughout the work the whole of the carving has been executed by Mawer & Ingle of Leeds. [The cornice is] supported on carved brackets in couples." (Yorkshire Post va Lids Intelligencer; Bredford kuzatuvchisi, March 1868)^[135][137]

Bilan bog'liq ommaviy axborot vositalari Former Commercial Bank, Bank Street, Bradford Vikimedia Commons-da

Former Church of St Clement, Chapeltown Road, Leeds, 1867–1868

St Clements before 1914

The former St Clement's in Chapeltown Road, Lids tomonidan ishlab chiqilgan George Corson in the "style of the decorated Gothic of the 14th century". The foundation stone was laid on Wednesday 24 April 1867,^[138] and the church was consecrated by the Ripon episkopi on 10 September 1868.^[139] It was closed in 1974, listed in 1975 and demolished in 1976. The site is now part of Sheepscar Interchange.^[140]

In 1868 the Lids Merkuriy described the interior:^[139]

"The arches are supported on cylindrical pillars of red sandstone, from the Dumfritlar karerlar,^[141] with moulded bases, and with caps carved with natural foliage, conventionally arranged ... [On the arches] the stone hood mould is stopped over every pillar by a carved boss in the form of a bird with wings spreading up in the hollow of the mould - the eagle, dove, swan and peewit being the birds introduced on the south side, and the goatsucker, owl, night heron and bittern on the north ... The chancel is divided from the nave by a lofty arch of red brick and stone, carried on pillars of red stone, with gilamchalar under them carved with natural foliage ... [The ribs of the chancel ceiling] are supported on red stone shafts corbelled out from wall, each corbel being carved as a shield surrounded by foliage and bearing the instruments of the Ehtiros ... In the centre of the west end is the font; it is of Caen stone, the bowl square, carved in quatrefoils filled with leafage, the stem of red stone, with green marble pillars at the angles. The communion rail is of Caen stone, pierced and carved [and has] red stone pillars which terminate the rail. The pulpit, mainly of Caen stone, is circular in plan, carried on a central stem, and five pillars of red stone, with carved caps. In the body of it are carved strings round the base, and the top of conventional ornament, and the book-rest is bracketted forward and carved in similar style. The four panels are intended to be filled with figure subjects illustrating the following text which is carved round the pulpit: Go ye unto all the world and preach the gospel to every creature ... At the side of the pulpit is a pierced quatrefoil with shield bearing an anchor, the emblem of St Clement. Also of Caen stone, the reading desk has a rectangular stem with four red stone pillars at the angles, with carved caps; these support the desk, curving out in front and sides. The front is formed into a panel, with an eagle at the centre, and natural foliage spreading out on each side; the sides are similarly treated. Maple is the leaf used for the front, the passion flower used for one side, the fig for the other ... The contractors were ... Messrs Mawer & Ingle for carving, and for pulpit, reading desk, font, and communion rail."^[139]

Bilan bog'liq ommaviy axborot vositalari Former St Clement's Church, Chapeltown Road, Leeds Vikimedia Commons-da

St John the Evangelist, Lepton, 1866–1868

St John, Lepton

St John the Evangelist, on Green Balk Lane, Lepton, G'arbiy Yorkshir,^[142] a II darajadagi bino^[143] "on the site of an ancient cross."^[144] It was built to benefit a local community of small farmers, hand loom weavers and coal miners. U ishlab chiqilgan early decorated Gothic style, with a tower on the south side, by Thomas Henry Healey (1839–1910) and his brother Francis Healey (1835–1910) of Bradford. The foundation stone was laid on 29 October 1866,^[145] and the church was consecrated on Saturday 28 November 1868.^[146]

1868 yilda "Haddersfild xronikasi" said: The walls are of local stone, but the mouldings were "wrought in hard sandstone from Crossland Moor ... The font, of hard Bolton Wood stone is placed near the entrance; it is of good character ... Messrs. Mawer & Ingle, Leeds, carving" (except the pulpit, which is by Rutter & Kett (sic) of Cambridge).^[146] On 10 November 1866 the "Haddersfild xronikasi" published a suggestion that "the ancient font, formerly in Kirkheaton Church ... [was now] in use as a pig trough in a farm in Kirkheaton ... the Lepton people should, if the font is in good preservation, endeavour to obtain it, have it restored, and place it in the new church at Lepton." However it is unlikely that the old font was re-used, since the Xronika knew the quarry source of the stone used for the font present at the consecration.^[147]

The tower was added in 1876.^[143] The tower clock was added in 1930 as a war memorial, and the squat, square, slated spire was removed in 1976. A large extension was added in 1992, and the pews were removed.^[148]

Bilan bog'liq ommaviy axborot vositalari St John's Church, Lepton Vikimedia Commons-da

Former Unitarian Chapel, Chapel Lane, Bradford, 1869

Unitarian Chapel, Chapel Lane, before 1900

The former Unitarian Chapel on Chapel Lane, Bradford, was designed by Andrews, Son & Pepper of Bradford, in the Frantsuz gotikasi uslubi.^[149] The foundation stone was laid on Tuesday 25 February 1868,^[150] and the chapel was opened on 3 June 1869.^[151][149] It replaced an earlier chapel built in 1717 or 1718 on the same site. The old gateway from the entrance to the old chapel yard was to be removed to Peel Park, Bradford in 1867.^[152]

The Yorkshire Post va Leeds Intelligencer said in 1869: "The body of the chapel is divided into five bays by massive stone shafts, with carved capitals, supporting the main side walls ... The pulpit is of Caen stone, with carved panels containing discs of polished marble, and a cornice enriched by foliated ornaments ... The porches have large and deeply recessed doorways with shafts and mouldings elaborately carved ... The well-executed carving by Maw (sic) & Ingle of Leeds."^[149]

The building was demolished in 1969 and the site used for a "city centre development."^[153]

Bilan bog'liq ommaviy axborot vositalari Former Unitarian Chapel, Chapel Lane Bradford Vikimedia Commons-da

Scottish Widows insurance building, Park Row, Leeds, 1869

Head in doorway of Scottish Widows building

The Scottish Widows building on the east side of Park Row, Leeds, opposite the old Bank of England, now known as St Andrews Chambers, is a II darajadagi bino.^[154] U tomonidan ishlab chiqilgan George Corson yilda Italiya uslubi,^[154][155] and the foundations were laid in 1869. It was planned with two porticos with paired red granite pillars.^[156] It was built as planned, but sometime after 1905 it lost one portico, and now has four ground floor windows instead of three.^[157] Historic England describes its "elaborately carved door surround." The windows each have a "carved tympanum on consoles and carved aprons to 1st floor." There is a "Guilloche frieze with projecting lions' heads, heavy modillion eaves cornice and balustraded parapet with urns."^[154]

1869 yilda Yorkshire Post va Leeds Intelligencer said of the architect's drawings: "The elevation is in the Italian style ... entirely of stone ... There are two entrances, one at each end of the front, exactly alike ... The entrances are open porticoes, with two coupled Corinthian columns, and pilasters corresponding on each side of the doorway ... The first floor has a range of five windows ... with carving in the tympanae ... The building is crowned with a massive cornice, richly carved ... Messrs. Mawer and Ingle, Leeds, are the masons employed."^[156]

Bilan bog'liq ommaviy axborot vositalari Scottish Widows building Park Row Leeds Vikimedia Commons-da

United Free Methodists day and infant schools, Farsley, 1869

United Free Methodist schools

The structure built for the United Free Methodists day and infant schools, Back Lane, Petrushka, in 1869, is unlisted. It was designed by CS and AJ Nelson of Park Row, Leeds. The foundation stone was laid on Saturday 5 December 1868, and the opening services commenced on Thursday 1 July 1869. It was built for 700 scholars by the United Methodist Free Church, adjoining the 1846 Wesleyan Chapel which had already been converted into a school room.^[158] The ground plan is a double T, that is, it has two wings.^[159]

1869 yilda Bredford kuzatuvchisi xabar berdi:^[159]

"Over each door the spandril has been filled in with carved fern leaves with the monogram in the centre, the one containing the Year of Our Lord, and the other the letters UFM representing the United Free Methodists, the denomination who have erected the schools. In addition to these carved spandrils, the heads of the gable and staircase windows have been filled with carved circular patere ... The carving has been executed by Messrs.Mawer & Ingle, of Leeds.".^[160][159]

Farsley Community Church now inhabits the building.^[161] It has been completely refurbished inside, with a new entrance.^[162]

Bilan bog'liq ommaviy axborot vositalari Farsley Community Church Vikimedia Commons-da

Christ Church, Windhill, Shipley, 1868–1869

Christ Church in 2007, showing some rebuilding, and no spire

Christ Church is an unlisted building on Church Street, Shamol, Shipley West Yorkshire.^[163] It was designed in "Gotik uslub " for 620 sittings, and with an apse, by Thomas Garlick Andrews (c.1837–1886) and Joseph Pepper of Bradford. The ground was broken in spring 1868, and the burchak toshi was laid on the left of the entrance porch by the Ripon episkopi on Saturday 17 October of the same year, when the church was already half-built.^[164] It was consecrated by the same bishop on Monday 16 August 1869.^[165] The procession following the bishop to the foundation ceremony included the workmen, contractors and architects besides the usual VIPs and clergy.^[164] Mawer & Ingle executed "a pulpit and font of oq tosh, ornate in style," and general carving.^{[165][166][167]}

At the foundation ceremony, the Yorkshire Post va Leeds Intelligencer said that the tower and spire would be built later, and that the building was "divided into a nave and side aisles by circular stone shafts, having carved capitals supporting pointed arches in stone ... A porch vestibule, equal in extent to the width of the nave, is placed at the west end, with a deeply recessed entrance, having shafts with carved capitals and bold arch mouldings."^[164]

The church has no spire now, and no evidence has been found that the tower and spire were ever built.^[168]

Bilan bog'liq ommaviy axborot vositalari Christ Church, Windhill, Shipley Vikimedia Commons-da

Former Church of St Silas, Hunslet, 1868–1869

St Silas before 1914

The former Church of St Silas, on Goodman Street, Xanslet, Leeds, was designed by George Corson for 700–750 sittings in "Gotik uslub ". The foundation stone was laid on 2 July 1868,^[169] and the church was consecrated on Thursday 25 November 1869.^[170] St Silas was unlisted, and closed in 1952. Demolition plans were announced in 1954, and the building was demolished in 1954 or 1956.^{[171][172][173]}

The church had "a nave, north and south aisles, and chancel with apsoidal oxiri; an organ chamber on one side, and a yelek on the other." There was "a porch on the north and south sides; no tower, but in its place a qo'ng'iroq at the west end." In keeping with available funds, only the nave and one aisle were built initially.^[169]

1869 yilda Yorkshire Post va Leeds Intelligencer xabar berdi:

"The chancel is finished as an apse of five sides, with a single light lanset oynasi in each, and stone shafts in the angles, with bases o'ralgan out from the wall, bands and carved caps supporting the ribs of the roof. These ribs form pointed arches spanning the chancel, and meeting in a carved boshliq markazida apsis ... [The pillars of the chancel arch] are carved with natural foliage, the fern being used on one side and the maple on the other. The corbels are formed as shields, bordered with foliage; the emblems of the Kuz are carved on the shield on the north side; the emblems of the Qutqarish on the shield to the south ... The font is of Caen stone, the bowl being octagon on a circular shaft, and carved with heads of the Xushxabarchilar, and their emblems on alternate sides of the octagon ... Messrs Mawer & Ingle, carving and font."^[170] (Yorkshire Post va Leeds Intelligencer 26 November 1869)

Bilan bog'liq ommaviy axborot vositalari St Silas Hunslet Vikimedia Commons-da

Church of St John the Evangelist, Dewsbury, 1869

St John Dewsbury

St John the Evangelist, Boothroyd Lane, Dyuusberi a II darajadagi bino.^[174] It was designed by Thomas Taylor, and built 1823–1827.^[175][176]

Around Sunday 5 December 1869 the church was reopened after refurbishment. The church was re-seated and redecorated, including stencilling va xattotlik on the walls and painting the chancel ceiling in blue with gold stars. "The pulpit is of early English, Caen stone, with twelve fossil marble shafts, designed by the architects, and wrought by Messrs. Mawer & Ingle, of Leeds. The font, by the same firm, also of Caen stone, and four marble shafts ... architects Cory & Ferguson." Three windows were presented, including one by Uilyam Uaylz. Mintonlar tiles were supplied for the chancel, and a soat va organ ordered.^[177][178]

Between 2011 and 2017, the pulpit was repositioned and made into a sound desk, as part of a reordering programme.^[179]

Bilan bog'liq ommaviy axborot vositalari St John the Evangelist, Dewsbury Moor Vikimedia Commons-da

Former Church of All Saints, Woodlesford, 1869-1870

Former All Saints Woodlesford

The Former All Saints Church, Station Lane, Vudlesford, West Yorkshire, has been a II darajadagi bino since 1988. It was designed by William Perkin & Sons in imitation of the geometric period of Gotik me'morchilik.^{[180][181][182]} The foundation stone was laid on Thursday 1 April 1869,^[183] when the builders and architects processed along with the clergy and VIPs.^[184] The church was consecrated on Wednesday 6 December 1870.^[185]

Funds were raised by subscription, and the foundation stone was laid on 1 April 1869. The Yorkshire Post va Leeds Intelligencer said in 1869: "The pulpit and font are of Caen stone with red Devonshire and green serpentine marble shafts, with moulded bases and carved capitals. The chancel, transepts and tower arches are supported on carved, Caen stone capitals and red Devonshire marble shafts. The roof timbers in the chancel are supported on red Devonshire marble shafts and carved Caen stone capitals ... Mawer & Ingle, Leeds, carvers' work."^[186] William Ingle died in 1870, so after the consecration, the Lids Merkuriy said that "the pulpit, font and general carving were executed by Charles Mawer of Leeds, from the drawings of the architects,"^[185] whereas at the laying of the foundation stone in 1869 they had credited Mawer & Ingle.^[183][187]

The church closed in 1995 and has been converted into a house, completed in 2004. The pulpit still existed as of 2012 but had been removed to the boiler room.^[188] The structure lost its 115-foot spire between 1988 and 2008.^[189]

Bilan bog'liq ommaviy axborot vositalari Church of All Saints, Woodlesford Vikimedia Commons-da

Trent Bridge, 1868-1871

Tarbotton's 1869 drawings, indicating sculpture

Trent Bridge, on London Road, Nottingham, is a 700 feet (210 m) II sinf ro'yxati tuzilishi which cost approximately £31,000 (equivalent to £2,910,000 in 2019)^[190] to build in 1871.^[191][192] Muhandis edi Marriott Ogle Tarbotton M.Inst.CE, the borough surveyor and engineer of Nottingham Corporation, who had connections with Northallerton and Leeds, not far from the birthplaces of the Mawer family, in early life.^[193] The ground was broken in September 1868; foundations, cofferdams and abutments were under construction by February 1869 in spite of heavy floods;^[194] and the bridge was opened on Tuesday 25 July 1871 by the Mayor of Nottingham, John Manning.^[195][196] It was understood from the beginning that the "capitals of the clustered columns [would] be carved elaborately."^[194]

Stone carving, on water and leaves theme

1871 yilda Bedfrdshire Mercury said that the ornamentation was in "Darley Dale, Mansfield stone, and Aberdeen granite ... the general effect is one of great elegance." The eight coats of arms were supplied by Tomas Yoping and sculptured by W.P. Smith of Nottingham, and Mawer & Ingle were credited for the "general carving."^{[195][197][198]}

The Nottingemshir Guardian of the same year gave Tarbotton's own fully detailed account of the ancient history of the old bridge, and the engineering of the new one. Here he details his arrangements for the carved stone sections:^[197]

"The general stonework of the bridge, and of which all the ordinary faces are formed, is of the quarries of Mr. Sims, Whatstandwell, Derbyshire; the ashlar is clean boasted, and the front walling blocks are rock-faced, some fronts being carefully dressed with the chisel, to suit the architectural composition. The ornamental parts of the stonework, the cornices, caps, pedestals, recesses and other superior features are of Darley Dale stone, from the quarries of Sir Joseph Whitworth, and of red Mansfield and Mansfield Woodhouse stone, from the quarries of Mr. R. Lindley. All this stonework is cleansed and either moulded or carved. The south approach parapets are also of Darley Dale stone, rock-faced. The south flood arches have moulded stone arch quoins, the arches being of brickwork, each arch is on the skew, and the angles of each vary in consequence of the approach being on a curve, the radius of which is about 300 feet. The river piers are terminated at all the ends with clustered columns of polished Aberdeen granite, these support large carved caps, upon which are placed blocks of red Mansfield stone, the latter forming on the inside next the footpath seat recesses for the accommodation of foot passengers crossing the bridge. Cornices over these of richly carved Darley Dale stone complete the upper finish of the piers; the recess blocks on the external faces are deeply sunk in the solid stone, and have on all the fronts arcaded ornamentations, with polished serpentine granite shafts from Cornwall ... Messrs. Mawer & Ingle, of Leeds, for the general carving."^[197]

Bilan bog'liq ommaviy axborot vositalari Trent ko'prigi, Nottingem Vikimedia Commons-da

Former Congregational Church, Lightcliffe, 1870-1871

Congregational Church before 1914

The former Congregational Church on Leeds Road, Laytkliff, yaqin Galifaks, G'arbiy Yorkshir, a Gotik tiklanish II darajadagi bino. It was designed by Lockwood & Mawson in the geometric, decorated style.^[199][200] The foundation stone was laid on 22 August 1870,^[200] and it was opened on 18 October 1871. Mawer & Ingle executed the pulpit and general carving, and the pulpit was paid for by Titus Salt, who funded most of the building.^[201][202] 1870 yilda Lids Merkuriy noted that "The transept and organ chamber arches" would be "supported on carved and moulded stone corbels."^[200] At the opening in 1871 the same newspaper reported:^[201]

"The aisles are separated from the nave by four bays, which are supported on pillars of polished Shap granite with carved capitals, the carving being in imitation of hawthorn, ivy and maple leaves ... The pulpit is of Caen stone, and has been exquisitely carved by Messrs Maw (sic) & Ingle, of Leeds, who also executed the carving throughout the building."^[201]

The church was closed about 1978. It became the Stonecraft Centre in 1988.^[203] It was inhabited by Stone Court Contracts Ltd, who renamed the building "The Spire," until 2003.^[204][205] As of 2017 the building contains offices.

Bilan bog'liq ommaviy axborot vositalari Former Lightcliffe Congregational Church, Hipperholme Vikimedia Commons-da

Shuningdek qarang

• Robert Maver
• Ketrin Maver
• Charlz Maver
• Benjamin Payler
• Metyu Teylor (haykaltarosh)
• Benjamin Burstall
• Uilyam Ingl

Adabiyotlar